A tall head bowed above a black coat, in profile to the left. A band of blue, amber and rust is dragged across the face, where eyes would sit. The brushing is fine and grained. The neck is dark and folded like the cloth, against a grey wall and a pale yellow ground.
No feature interrupts the band. The colour comes in from the left edge as a streak of brushed matter, crosses the head and thins toward the jaw. The head is not emptied, it is crossed. The coat folds, the neck and the grey wall carry the same grain. Nothing marks where this person ends. The figure holds, and the band shows what it holds around.
The blue streak is the detail that keeps working in the room. It takes colour from whatever stands near it, and a person passing it sees how little of a face is needed to feel someone is there.
Print & Paper
Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free.
Open edition. Each copy is printed when you order. Your order comes with a signed digital certificate that lists each print.
Sizes & Framing
| Format | cm | inches | Weight | Price |
|---|---|---|---|---|
| A4 | 21 × 29.7 | 8.3 × 11.7 | ~80 g | €45 |
| A3 | 29.7 × 42 | 11.7 × 16.5 | ~120 g | €60 |
| A2 | 42 × 59.4 | 16.5 × 23.4 | ~200 g | €80 |
| A1 | 59.4 × 84.1 | 23.4 × 33.1 | ~370 g | €110 |
| A0 | 84.1 × 118.9 | 33.1 × 46.8 | ~700 g | €150 |
Estimated weight, unframed, including protective packaging.
Framing not available for this edition.
Shipping & Returns
If the print arrives damaged or defective, send us a photo of the print and its packaging within 30 days of delivery: we will replace it at no charge, or refund you if a replacement is not possible.
Certificate of authenticity
Hypostasis
- Size
- A4 — 21 × 29.7 cm
- Serial no.
- assigned when you order
- Technique
- Giclée on Fine Art paper
SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.
Writing The Local Form
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