Bodies as traces, images as inferences
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Involution
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Celestial Dance
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Inner Archive
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Body Pattern
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Involution
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Involution
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Involution
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The Veil of Isis
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Last Waltz
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Shop
The Print ShopFine art prints from the SaintPixel project, fragments of presence shaped by the machine and the hand.
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Process
The processSaintPixel shows how AI and hand combine to make images, from sketch to print, step by step.
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News
The newsUpdates on new prints, works in progress, exhibitions, and notes about tools, process, decisions, and studio practice.
News
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SaintPixel in Times Square, New York
SaintPixel is currently being presented in Times Square through the collaboration between Creativa AI Art Book Vol. 9 and Art Innovation Gallery.
SaintPixel in Times Square, New York
SaintPixel is currently being presented in Times Square through the collaboration between Creativa AI Art Book Vol. 9 and Art Innovation Gallery.
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SaintPixel in creAtIva Vol. 9
SaintPixel awarded 3rd place by the international jury of creAtIva Magazine Vol. 9, "ART: it is argument". A selection of works where fragmented bodies and algorithmic memory intertwine, accompanied by...
SaintPixel in creAtIva Vol. 9
SaintPixel awarded 3rd place by the international jury of creAtIva Magazine Vol. 9, "ART: it is argument". A selection of works where fragmented bodies and algorithmic memory intertwine, accompanied by...
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Group exhibition BEAUTY
Barcelona, 19 Feb – 7 Mar This show gathers artists featured in Creativa AI Art Book Vol.7, exploring contemporary visions of beauty through new visual languages. One of my works...
Group exhibition BEAUTY
Barcelona, 19 Feb – 7 Mar This show gathers artists featured in Creativa AI Art Book Vol.7, exploring contemporary visions of beauty through new visual languages. One of my works...
Writings
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Corrupt
Corruption is not a malfunction. It is a method. On introducing a foreign grammar into generative systems, and what the output becomes under pressure.
Corrupt
Corruption is not a malfunction. It is a method. On introducing a foreign grammar into generative systems, and what the output becomes under pressure.
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Statement
Working from my own drawings and bodily studies, I use generative systems to erode normalized images of the human, seeking the unstable zones where recognition fails and perception becomes active...
Statement
Working from my own drawings and bodily studies, I use generative systems to erode normalized images of the human, seeking the unstable zones where recognition fails and perception becomes active...
