A male figure in profile, lean and upright, leans forward over a surface that no longer holds its form. The upper body carries definition — jaw, beard, clavicle, the dark line of an arm — while below the waist the figure dissolves into scored marks, running verticals, and pooled dark matter against a flat yellow-green ground.
The yellow is not atmospheric. It does not suggest light or warmth — it is a pressure applied uniformly from every direction, absorbing the figure's lower half without drama. What the eye anchors on first — the face in profile, the posture of concentration — is structurally intact only at its peak. Descent is dissolution. The image holds that gradient without offering resolution.
Print & Paper
Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free. Archival quality.
Sizes & Framing
| Format | cm | inches | Weight | Price |
|---|---|---|---|---|
| A4 | 21 × 29.7 | 8.3 × 11.7 | ~80 g | €45,00 |
| A3 | 29.7 × 42 | 11.7 × 16.5 | ~120 g | €60,00 |
| A2 | 42 × 59.4 | 16.5 × 23.4 | ~200 g | €80,00 |
| A1 | 59.4 × 84.1 | 23.4 × 33.1 | ~370 g | €110,00 |
| A0 | 84.1 × 118.9 | 33.1 × 46.8 | ~700 g | €150,00 |
Estimated weight, unframed, including protective packaging.
Framing not available for this edition.
Shipping & Returns
Produced and shipped by a certified print partner near you. Estimated delivery: 5–8 business days. Ships worldwide.
When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
Artist
SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.
Recognition
