A bald figure arcs backward mid-turn, one arm flung out, mouth open. Chest and ribs show under peeled skin, and a heart sits plain in the opening. Below, layered skirts of cream paper and indigo cloth flare over a bare, pebbled floor.
A pale vertical band cuts through head, chest and skirts alike. It does not stop at the skin. Flesh creases like paper, and paper carries veins of red. Cloth, skin and heart are one folded material in motion. The figure lasts only as long as the turn holds, and the cry sits in the open mouth.
The folds are too crumpled and the opened chest too exposed to pass as ornament. It keeps its weight beside a sofa or a shelf. Whoever lives with it keeps a person made of what passes through, on show.
Print & Paper
Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free.
Open edition. Each copy is printed when you order. Your order comes with a signed digital certificate that lists each print.
Sizes & Framing
| Format | cm | inches | Weight | Price |
|---|---|---|---|---|
| A4 | 21 × 29.7 | 8.3 × 11.7 | ~80 g | €45 |
| A3 | 29.7 × 42 | 11.7 × 16.5 | ~120 g | €60 |
| A2 | 42 × 59.4 | 16.5 × 23.4 | ~200 g | €80 |
| A1 | 59.4 × 84.1 | 23.4 × 33.1 | ~370 g | €110 |
| A0 | 84.1 × 118.9 | 33.1 × 46.8 | ~700 g | €150 |
Estimated weight, unframed, including protective packaging.
Framing not available for this edition.
Shipping & Returns
If the print arrives damaged or defective, send us a photo of the print and its packaging within 30 days of delivery: we will replace it at no charge, or refund you if a replacement is not possible.
Certificate of authenticity
Quejío
- Size
- A4 — 21 × 29.7 cm
- Serial no.
- assigned when you order
- Technique
- Giclée on Fine Art paper
SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.
Writing The Local Form
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