Two hands grip a sphere of glass or bone — held at eye level, pressed against a head whose features have not resolved. The skull reads as mineral: pale, dense, worked from the outside. Behind it, a deep cobalt ground carries the marks of its own making — scraped, layered, gold flecking the upper corners where paint has lifted.
The hands are the most legible thing in the image, and that legibility is the problem. They grip with precision. What they hold does not correspond to that precision — the object is transparent, circular, possibly hollow. The head above neither looks nor turns. The image holds the gesture of examination without its object, the posture of study without a subject that submits to it.
Print & Paper
Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free. Archival quality.
Sizes & Framing
| Format | cm | inches | Weight | Price |
|---|---|---|---|---|
| A4 | 21 × 29.7 | 8.3 × 11.7 | ~80 g | €45,00 |
| A3 | 29.7 × 42 | 11.7 × 16.5 | ~120 g | €60,00 |
| A2 | 42 × 59.4 | 16.5 × 23.4 | ~200 g | €80,00 |
| A1 | 59.4 × 84.1 | 23.4 × 33.1 | ~370 g | €110,00 |
| A0 | 84.1 × 118.9 | 33.1 × 46.8 | ~700 g | €150,00 |
Estimated weight, unframed, including protective packaging.
Framing not available for this edition.
Shipping & Returns
Produced and shipped by a certified print partner near you. Estimated delivery: 5–8 business days. Ships worldwide.
When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
Artist
SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.
Recognition
