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Numina

# 1e148143

Vertical cuts divide the body. What remains whole is harder to name than what was lost

Type · Open edition
Regular price €45,00 EUR
Regular price Sale price €45,00 EUR
Sale Sold out
Taxes included.
Size
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A figure bows forward, head dropped toward the chest, eyes closed. Vertical bands section the body — each panel carries a different material state: fine mesh scoring the skin like cartography, cracked plaster erupting at the crown and cheek, flat planes of muted blue and ochre pressing in from the right. The surface moves between sculpted flesh, stripped wall, and architectural diagram without settling into any one of them. The fragmentation is not damage — it is structure. Each vertical register holds a competing account of the same body, and none supersedes the others. The downward posture reads neither as collapse nor as rest; it is a body that has been divided too many times to orient toward a single direction. Numina names what persists across the cuts: not identity, not form — something prior to both.
Print & Paper

Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free. Archival quality.

Sizes & Framing
Format cm inches Weight Price
A4 21 × 29.7 8.3 × 11.7 ~80 g €45,00
A3 29.7 × 42 11.7 × 16.5 ~120 g €60,00
A2 42 × 59.4 16.5 × 23.4 ~200 g €80,00
A1 59.4 × 84.1 23.4 × 33.1 ~370 g €110,00
A0 84.1 × 118.9 33.1 × 46.8 ~700 g €150,00

Estimated weight, unframed, including protective packaging.

Framing not available for this edition.

Shipping & Returns
Produced and shipped by a certified print partner near you. Estimated delivery: 5–8 business days. Ships worldwide.

When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
Artist

SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.