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# 3c52b6b0

Skin that kept its surface. Everything beneath it did not.

Type · Open edition
Format · Landscape
Regular price €45,00 EUR
Regular price Sale price €45,00 EUR
Sale Sold out
Taxes included.

Shipping from €5 · 5–10 business days. Exact cost depends on destination and size, calculated at checkout.

Size

❖ Digital certificate of authenticity included

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A face in profile — nose, lips, ear rendered with the precision of life study — occupies the right half of the frame. The left half does not continue it. Where the skull should close, the head opens into stratified bands of navy, bone, and red: cross-hatched grids, layered curves, exposed cartilage. A single eye sits at the centre of this unwinding, ringed in concentric lines, isolated from the face it belongs to. The image holds two incompatible anatomies in the same body without suturing them. The profile is intact; the interior is in full section. Red lines drain from the right edge in vertical threads, indifferent to the flesh above them. What the face presents and what the head contains have separated — not violently, but completely.
Print & Paper

Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free. Archival quality.

Sizes & Framing
Format cm inches Weight Price
A3 €45,00
A3 €60,00
A2 €80,00
A1 €110,00
A0 €150,00

Estimated weight, unframed, including protective packaging.

Framing not available for this edition.

Shipping & Returns
Produced and shipped by a certified print partner near you. Estimated delivery: 5–8 business days. Ships worldwide.

When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
Artist

SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.