Head tilted back, throat exposed, mouth open to its limit. The face has become stone — blue-grey mineral, fractured along gold-filled seams in the manner of kintsugi, the cracks running across cheekbone and skull without deference to anatomy. Below the jaw, the chest dissolves into crystal and exposed structure: bone or root, pale and fibrous against layers of amethyst and slate.
The open mouth is the one place where flesh remains flesh — wet, interior, unmediated by the mineral surface that has claimed everything else. That cavity holds the image's central conflict: the body turning outward at the exact point where it has turned most completely inward. Gold threads the fractures without repairing them. The image does not perform rupture — it has already occurred.
Print & Paper
Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free. Archival quality.
Sizes & Framing
| Format | cm | inches | Weight | Price |
|---|---|---|---|---|
| A4 | 21 × 29.7 | 8.3 × 11.7 | ~80 g | €45,00 |
| A3 | 29.7 × 42 | 11.7 × 16.5 | ~120 g | €60,00 |
| A2 | 42 × 59.4 | 16.5 × 23.4 | ~200 g | €80,00 |
| A1 | 59.4 × 84.1 | 23.4 × 33.1 | ~370 g | €110,00 |
| A0 | 84.1 × 118.9 | 33.1 × 46.8 | ~700 g | €150,00 |
Estimated weight, unframed, including protective packaging.
Framing not available for this edition.
Shipping & Returns
Produced and shipped by a certified print partner near you. Estimated delivery: 5–8 business days. Ships worldwide.
When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
Artist
SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.
Recognition
