A faceless figure floats against a deep black panel, its oval head smooth and featureless. The body is dressed in white — turtleneck, full skirt, gloves — fabric that billows and folds with the memory of movement rather than its fact. Construction lines score the cloth like pattern-paper seams, unfinished. Below the skirt's hem, fine wires converge toward a pair of white sneakers that hang rather than stand.
The figure does not touch the ground. It does not require it. The skirt holds volume without a body to fill it; the wires suggest puppet-logic without a puppeteer. White against black, the image is structurally clean and compositionally unresolved — a form that performs presence through the precise accumulation of its absences.
Print & Paper
Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free. Archival quality.
Sizes & Framing
| Format | cm | inches | Weight | Price |
|---|---|---|---|---|
| A4 | 21 × 29.7 | 8.3 × 11.7 | ~80 g | €45,00 |
| A3 | 29.7 × 42 | 11.7 × 16.5 | ~120 g | €60,00 |
| A2 | 42 × 59.4 | 16.5 × 23.4 | ~200 g | €80,00 |
| A1 | 59.4 × 84.1 | 23.4 × 33.1 | ~370 g | €110,00 |
| A0 | 84.1 × 118.9 | 33.1 × 46.8 | ~700 g | €150,00 |
Estimated weight, unframed, including protective packaging.
Framing not available for this edition.
Shipping & Returns
Produced and shipped by a certified print partner near you. Estimated delivery: 5–8 business days. Ships worldwide.
When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
Artist
SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.
Recognition
