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Enkidu

# 6087f09a

Muscle and line held at the moment before weight becomes motion

Type · Open edition
Regular price €45,00 EUR
Regular price Sale price €45,00 EUR
Sale Sold out
Taxes included.
Size
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A figure crouches forward, spine arched, head lowered — the posture of something coiled rather than collapsed. The body is built entirely from contour lines that follow the topography of muscle and tendon, pulling the form toward engraving, toward wood, toward matter that has been scored rather than painted. Two discs — one matte gold, one worn white — hold the figure between them without framing it. The ground is terracotta and teal, flat and architectural, indifferent to the organic density pressing against it. The vertical reed forms flanking the figure repeat its own linear structure, blurring the boundary between body and field. Enkidu neither emerges from the forest nor stands apart from it — the lines of both run in the same direction, under the same pressure.
Print & Paper

Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free. Archival quality.

Sizes & Framing
Format cm inches Weight Price
A4 21 × 29.7 8.3 × 11.7 ~80 g €45,00
A3 29.7 × 42 11.7 × 16.5 ~120 g €60,00
A2 42 × 59.4 16.5 × 23.4 ~200 g €80,00
A1 59.4 × 84.1 23.4 × 33.1 ~370 g €110,00
A0 84.1 × 118.9 33.1 × 46.8 ~700 g €150,00

Estimated weight, unframed, including protective packaging.

Framing not available for this edition.

Shipping & Returns
Produced and shipped by a certified print partner near you. Estimated delivery: 5–8 business days. Ships worldwide.

When you receive your order, please inspect the print carefully. If anything is damaged, take a photo and contact us within 14 days — we will send a replacement at no charge.
Artist

SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.