A man sits against a yellow wall, knee raised, hand pressed to his mouth, head bowed. His grey skin and shirt are densely hatched. Beside him a second figure of tangled black wire and drips climbs the wall, above a teal floor.
Chin sunk into the hand, a man worn out or in doubt: the pose is so common that it is welcomed before it is read. Through it something else enters. A hollow figure of black filament hangs next to him, and no version of the man can contain it. Solid beside netted, hatched beside dripping, the two stay together and neither absorbs the other.
The man seems turned inward, so a person at home is tempted to sit down in his posture and call the wire figure a shadow. The black drips running from its head down to the floor contradict that. Whoever takes their own sadness for all of themselves finds it corrected here.
Print & Paper
Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free.
Open edition. Each copy is printed when you order. Your order comes with a signed digital certificate that lists each print.
Sizes & Framing
| Format | cm | inches | Weight | Price |
|---|---|---|---|---|
| A4 | 21 × 29.7 | 8.3 × 11.7 | ~80 g | €45 |
| A3 | 29.7 × 42 | 11.7 × 16.5 | ~120 g | €60 |
| A2 | 42 × 59.4 | 16.5 × 23.4 | ~200 g | €80 |
| A1 | 59.4 × 84.1 | 23.4 × 33.1 | ~370 g | €110 |
| A0 | 84.1 × 118.9 | 33.1 × 46.8 | ~700 g | €150 |
Estimated weight, unframed, including protective packaging.
Framing not available for this edition.
Shipping & Returns
If the print arrives damaged or defective, send us a photo of the print and its packaging within 30 days of delivery: we will replace it at no charge, or refund you if a replacement is not possible.
Certificate of authenticity
Ego
- Size
- A4 — 21 × 29.7 cm
- Serial no.
- assigned when you order
- Technique
- Giclée on Fine Art paper
SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.
Writing What Holds
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