Two figures lean together against a deep teal ground, one head bowed to the other's cheek. The upper bodies are pale and translucent, ruled with fine engraved lines. Below the ribs the white darkens to ash, then to black and a swirling rust-orange drape.
No seam marks where flesh gives way to cloth. The same engraved line runs from the ear and the open hand down into the red folds, and the white shades into smoke before the colour starts. The pair holds as a pair only for the length of that passage. What crosses them is the same stuff as what they are made of, and nobody can say where either person stops.
A couple is usually counted as two, and the comfort lies in that count. Here the count slips. Whoever lives with this print finds the habit of drawing a line around a person loosening, one body at a time.
Print & Paper
Giclée fine art, 12-color pigment inks on Enhanced Matte 200gsm. FSC-certified, acid-free.
Open edition. Each copy is printed when you order. Your order comes with a signed digital certificate that lists each print.
Sizes & Framing
| Format | cm | inches | Weight | Price |
|---|---|---|---|---|
| A4 | 21 × 29.7 | 8.3 × 11.7 | ~80 g | €45 |
| A3 | 29.7 × 42 | 11.7 × 16.5 | ~120 g | €60 |
| A2 | 42 × 59.4 | 16.5 × 23.4 | ~200 g | €80 |
| A1 | 59.4 × 84.1 | 23.4 × 33.1 | ~370 g | €110 |
| A0 | 84.1 × 118.9 | 33.1 × 46.8 | ~700 g | €150 |
Estimated weight, unframed, including protective packaging.
Framing not available for this edition.
Shipping & Returns
If the print arrives damaged or defective, send us a photo of the print and its packaging within 30 days of delivery: we will replace it at no charge, or refund you if a replacement is not possible.
Certificate of authenticity
Couple
- Size
- A4 — 21 × 29.7 cm
- Serial no.
- assigned when you order
- Technique
- Giclée on Fine Art paper
SaintPixel is an art project created by Mikael Gueguen, who was born in France in the 1970s. He trained in applied arts and fine arts, including a two-year apprenticeship in decorative painting (wood and marble finishes, large-scale scenic designs, and trompe l'œil). An IT entrepreneur in the 2000s, he returned to artistic and manual practice, working today at the intersection of traditional media and generative AI.
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